These are the structural trends emerging from the pilots I’ve read and watched:
Open long.A lot of teases are running very long. Or scripts are eschewing teases altogether and leading off with titles followed by a long act one. Once you get the viewer tuned in, why give them a commercial and let them […]
What I'm Reading
- A Boy and His TV Shows
- Amanda the Aspiring Writer
- Boring Future Generations
- Complications Ensue
- Damaged Goods
- Dead Things on Sticks
- Deep Structure
- DIScontent
- Film Diva
- Haulin' like a Brooligan
- Jane Espenson
- John August
- Kung Fu Monkey
- Red Right Hand
- Robert Mills
- Rouge Wave
- ScriptEnabler
- Seriocity
- Sold Cow for Magic Beans
- The Daily Screenwriter
- The Legion of Decency
- The Light It Hurts
- TV Whore
- Unified Theory of Nothing Much
- Uninflected Images Juxtaposed
- Write Here Write Now




